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BAEBLE BLOG


  • Monday night at New York’s Hammerstein Ballroom saw the welcome return of Chicago natives Wilco, and much like the protean sound that the group has come to be known for, the evening was chock full of incongruities that somehow meshed into an amazing organic performance.

    Wilco’s sound, especially in reference to the new album, could also be described as mellow, but their performance, infused with classic elements of pure rock, was anything but somnambulant. Various elements throughout the show seemed to conspire to keep the audience from ever completely knowing what direction the group would be taking next. The blues, country, and bluegrass elements that Wilco has always featured in their music made guest appearances on different songs. Jeff Tweedy’s mostly folk stance was counterbalanced by Matrix, an Aussie guitarist the band brought in for support, who positively shredded the guitar. Apparently I wasn’t the only one watching School of Rock on the Cartoon Network this past Sunday.



    The blending of seemingly conflicting elements appeared to be the theme of the show, as the band alternatively created the sort of intimate setting their music is suited for, then easily rocked out on the next track. At one point, Tweedy, who was in high spirits throughout the night, cracked a joke about the sudden shifts in mood the set list was calling for. Just as incongruous was the set list’s lean towards Yankee Hotel Foxtrot standards for a tour that one would think is meant to promote the new album, released only last month.

    If there’s an art to simplicity (and there certainly must be), Wilco has discovered it. Aside from their apparent return to lighter production than what was featured on Yankee Hotel Foxtrot and A Ghost is Born, their performance highlighted just how powerful a good rock group with a solid set of songs can be without any showy production values. To demonstrate this point, a macramé owl, relatively small compared to the rest of the stage, dropped from the ceiling during “Hate it Here”, as if it represented the entirety of their production budget. The owl itself looked like it came straight from the old Tootsie Pop commercials, and was very Spinal Tap-esque in its muted silliness. All in all, the show was a ridiculous 2+ hours, complete with two encores, a full rendition of “Spiders (Kidsmoke)” (10:46), and the chills-inducing “Poor Places”. The closing song of the night, “I’m a Wheel”, literally ended with the lyrics “I will turn on you”, as the band turned and bolted off the stage, leaving people a little stunned as to what had just happened.

    Of course, every show has its downside. My only complaint, as a General Admission ticket holder, is that way too many of Wilco’s fans are absurdly tall. This should be resolved immediately. - Eric Silver



    Photos Courtesty of Baby, You Got A Stew Goin'!


  • Even for a quirky label like Ghostly International, the eccentricities and sheer diversity of styles found on Lucas, the second album from Skeletons and the Kings of All Cities (FKA Skeletons & the Girl-Faced Boys), may seem out there. Centered around Matt Mehlan, but featuring a cast of dozens, Lucas is the perfect contradiction. Within and between tracks, free jazz workouts mix with electronic elements mix with strings and horns mix with…well, let’s just say Mehlan is a brilliant musical schizophrenic, never settling in to one idea too long but always anchoring each track with a melodic pop backdrop. With so many adequate, yet completely forgettable, albums out today, Lucas stands as a singular entry into this year’s releases, surpassing so many who write nine times the same song. Mehlan spoke to Baeble about how to work well with others, “weird” music and why “Mambo No. 5” has the potential to be a good song. (We’re still not sold on that last one.) - KEEP READING
    - Jason Newman


  • While we certainly didn’t know it at the time we were cruising through our ritualistic pre-shoot preparations (crew huddles are big here at Baeble), last Friday’s shoot at The Bowery Ballroom was one for the books (and, very shortly, for the site). Thinking we would show up, aim our cameras at the talent on stage, and stroll back out with our footage in hand a couple hours later was, well…a bit naïve. Turns out both Nashville Tennessee’s Bobby Bare Jr and Boston Mass’ The Slip like to entertain. It also turns out that both bands like to give the audience exactly what they paid for: a full evening of incredible music. Our cameras got rolling at The Bowery around 10PM, when Bobby Bare Jr. and the Young Criminals Starvation League took the stage. And when The Slip finally decided to call it quits at 2AM in the morning, all that was left to do was scratch our heads in amazement. Did the two really combine for a four hour show? They did indeed. And Baeble Music was there to take it all in.



    Blown to New York on a carefree combination of crude oil chords, and sweet summer melodies, Bobby Bare delivers the kind of take on authentic country blues and southern rock that lets the whiskey running through your blood do its’ job. Humid and hazy at times, fearlessly grungy at others, Bare brought the region that bred him to the Bowery’s stage. Whether lamenting for a “Flat-Chested Woman” in two-part harmony, moaning and whaling like a real singing cowboy, or rolling through rock and roll barn burners, Bobby and his band rollicked like a southern fried Guided By Voices.



    Those mumbling and grumbling over The Slip’s recent change in sonic direction on their recorded efforts need to catch this trio in their live environment. Playing for nearly three hours, The Slip’s reputation as one of the most precise, sophisticated, hardest working, and passionate jam bands on the scene, rang true throughout the set. Performing for three hours, singer Brad Barr peppered his smoky, almost Aaron Neville (I kid you not) like voice in between the band’s impressive, instrumental, improvisational sessions. Cool and confident, The Slip touched on a few of rock’s holiest grails. Few three-pieces have the chutzpah to kick their set off with Led Zeppelin’s “Heartbreaker”. But The Slip does it, and they do it well. Other festive highlights included the band being joined on stage by Bobby Bare Jr. for a spirited take on The Pixies “Where Is My Mind”. - David Pitz




    Photos - Maureen Pitz




  • With releases like the second coming of Pet Sounds, via Panda Bear’s Person Pitch and Menomena’s “Dealer” inspired album Friend and Foe, the experimental, odd ball side of indie pop is having itself a rather ripe year. Tack Marmoset’s first album in five years, Florist Fired, (Secretly Canadian) onto this list of ’07 highlights for the genre. As unpredictable a listen as any to come before it this year, Marmoset mince an enticing collection of delectable, audio assortments into a rather fine mess of an album. Whether pairing lovely lo-fi affairs (“Luckcharm” and “Missing Man”) with electro-spazz (“Das Boot”),fusing fuzz rock (“Florist Fired”) with loungey numbers that recall Pavement’s most sedate moments on tape (“(I’m) Somewhere”), basking in Pink Floyd inspired atmospherics (“Laughing with Minx”), or dabbling in sexual ridiculousness (um, “Eat Me Out”), Florist Fired keeps listeners on their toes.

    Secretly Canadian further explains…
    “Although principal songwriter Jorma Whittaker possesses an encyclopedic knowledge of Beatles-esque melodies and is more likely to cite John Lennon and friends as his musical influences, Florist Fired leaves listeners with the unmistakable feeling that the band owes much more to a Keith Richards-led Stones swagger-- without the budget or access to premium pharmaceuticals. In contrast to the seemingly lecherous, self-loathing gems penned by Whittaker, guitarist Dave Jablonski offers up detached ethereal odes like a man with his head truly in the clouds.”

    To celebrate the release, Secretly Canadian has compiled a Marmoset “Greatest Hits” album of sorts. Not only that, they’re giving it a way for nothing. Download it HERE.

    Stream all of Florist Fired HERE.

    MP3: Marmoset:: “Missing Man” – from Florist Fired

    - David Pitz


  • One of the most definitive American Hardcore bands to ever unleash hell and havoc upon a stage, Washington DC’s Bad Brains played with the kind of possessed energy and moxie that had them toeing the same line as legendary punk bands like The Sex Pistols, Black Flag, The Clash, and The Ramones. Though the band originally intended to blur the borders that separated roots, reggae, and rock, ironically, Band Brains’ unique sense of diversity was eventually their own undoing. Parting ways in 1989 over Guitarist Gary “Dr. Know” Miller and bassist Darryl Jenifer desire to lean on their more hardcore/metal influences, and singer HR and drummer Earl Hudson desire to churn out more reggae stylings, the band would ho humbly return (to mixed…very mixed…reviews) in a variety of incarnations (including one as the original line up). While those early to mid nineties releases at least marked an effort, most probably felt Bad Brains had been banished to a furiously warm spot in a lot of punk rocker’s hearts.

    But tomorrow, June 26th, marks an astonishing return to form for the band. Their first collaborative effort in more than a decade, the Adam Yauch produced, Build a Nation spits fury with narcotic dub; a combination that has Band Brains sounding like the band of yore. Brutal, unapologetic, yet spliced with the band’s signature reggae undertones, Build a Nation offers those longing for the band’s beautifully bold, chaotic past, a real sense of nostalgia.

    Stream Build a Nation on Bad Brains’ MySpace Page.


    In addition to the album, the band is playing a spattering of summer stops. All announced dates are listed below

    Bad Brains on Tour
    6/25 – NY Boat Ride - New York NY
    7/29 – The Rogers Picnic – Toronto Ontario
    8/05 – The Virgin Festival – Baltimore MD

    - David Pitz
  • After recording and releasing an EP a month for the entire year of 2006, you’d think Bishop Allen would deserve a year off. Instead, the band is preparing to release their long-awaited follow-up to Charm School. The Broken String is the band’s first with Dead Oceans, and features nine reworked tracks from the band’s EP project, along with 2 unreleased songs. Compiling most of the songs from the EPs sounds like a cop out, but its not. Dead Oceans Explains...

    “If Bishop Allen made a huge musical jump from the 2003 debut to the 2006 EPs, the band made a quantum leap on The Broken String. Of its 12 songs, 9 are reworked tracks from the EPs and two are previously unreleased. These are not just re-recordings: Bishop Allen has stepped out of the home studio and created definitive versions of songs that were originally conceived within the constraints of a monthly deadline. Benefiting from the earlier recordings and several tours, the songs' arrangements have grown, the production is lush, the lyrics are front and center, and the band's evolution has reached a new level. If Ed Sullivan were alive today, Bishop Allen's story-songs would be ripe for prime time. The Broken String is the follow-up for which Bishop Allen fans have long clamored.”

    Tracklist
    The Monitor
    Rain
    Click, Click, Click, Click
    The Chinatown Bus
    Flight 180
    Like Castanets
    Butterfly Nets
    Shrinking Violet
    Corazon
    Middle Management
    Choose Again
    The News From Your Bed

    MP3: Bishop Allen:: “Rain” - from The Broken String

    The band will also be out on the road all summer long supporting the album.

    Tour Dates:
    06/27/07 Chicago, IL - Beat Kitchen
    06/28/07 Toronto, ON - Lee's Palace
    07/20/07 New York, NY - Seaport Music Festival @ South Street Seaport
    07/21/07 Philadelphia, PA - North Star
    07/22/07 Washington, DC - The Black Cat
    07/23/07 Chapel Hill, NC - Local 506
    07/24/07 Atlanta, GA - The Earl
    07/25/07 Baton Rouge, LA - Spanish Moon
    07/26/07 Houston, TX - Proletariat
    07/27/07 Austin, TX - Emo's
    07/28/07 Denton, TX - Haileys
    07/29/07 Dallas, TX - Free Instore @ Good Records 2PM
    07/30/07 Phoenix, AZ - The Paper Heart
    07/31/07 Los Angeles, CA - Echo
    08/01/07 San Francisco, CA - The Independent
    08/03/07 Portland, OR - Doug Fir
    08/04/07 Seattle, WA - Crocodile Cafe
    08/07/07 Denver, CO - Hi Dive
    08/09/07 Chicago, IL - Subterranean
    08/10/07 Bloomington, IN - The Bluebird
    08/11/07 Dayton, CA - The Nite Owl
    08/17/07 Cambridge, MA - Middle East Downstairs
    08/18/07 New York, NY - The Bowery Ballroom

    - David Pitz


  • Zach Condon – the Balkan-blasting phenom behind Beirut – has tapped October 9th as the release date for what will be a very highly anticipated second album. Supposedly titled The Flying Club Cup, the record will be made possible by Ba Da Bing Records, and is expected to expand upon the folksy, Eastern-European swing of his rather fetching debut, Gulag Orkestar, as well as the Lon Gisland EP. In addition to employing bouts of string orchestrations, Condon has enlisted some help to expand his musical palette – specifically Owen Pallett of Final Fantasy. The album will also curiously include a track 00. I’m a bit baffled, but hey…lets go with it. - David Pitz

    Tracklist:
    00. A Call To Arms
    01. Nantes
    02. A Sunday Smile
    03. Guyamas Sonora
    04. La Banlieu
    05. Cliquot
    06. The Penalty
    07. Forks and Knives (La Fête)
    08. In The Mausoleum
    09. Un Dernier Verre (Pour la Route)
    10. Cherbourg
    11. St. Apollonia
    12. The Flying Club Cup


  • As if the song wasn’t already perfectly suited for the first day of summer, Feist has turned over the keys to “1,2,3,4” - all those handclaps, that soulful bass, ivory tickling piano, and blaring brass section – to those outer space pop coinsures from down under, Van She. While the Australians’ remix certainly drives a little differently (and we’re not sure how we feel about it yet), they definitely gave the general “oomph” of the track a hefty tune-up. - David Pitz

    Take the remix for a spin HERE.




  • In celebration of the release of Art Brut's new album It's A Bit Complicated, (came out yesterday, June 19 on Downtown Records), Baeble Music presents an exclusive and live concert at the Bowery Ballroom in NYC! You can watch Allison Hagendorf's interview in the Green Room with the band and click song-by-song through their live concert on their band profile page.

    Last week, we filmed The Rosewood Thieves at Pianos and Voxtrot with Au Revoir Simone at Webster Hall. The pictures came out great (thanks to our lovely photographer Stephanie)!!

    Enjoy the videos and see you soon!
    Baeble Music



    Art Brut - May 16, 2007 @ Bowery Ballroom, NY


    They're an eccentric, motley bunch who have more in common with Half Man Half Biscuit and Pulp than they do with their oft-compared 'influences' The Fall. Art Brut formed in 2003 and played its first gig in May of that year. Much like Bloc Party...[read more]

    Watch The Video


    Mando Diao - May 14, 2007 @ Bowery Ballroom, NY

    Filmed at New York City's Bowery Ballroom, this performance shows what years spent living in "Ochrasy" have done for Mando Diao. Marrying a tightly knit sound with sinister slanted lyrics, epic song writing, and... [read more]

    Watch The Video





    MORE PICS HERE! Au Revoir Simone + Voxtrot at Webster Hall + Rosewood Theives at Pianos



    **NEW EPISODE** The Green Room w/ Art Brut! - Famously floopy Eddie Argos doesn't exactly fit the front man fold. But then again, if you had to pick, which would you choose? A flashy fashionista with a pension for egotism? Or Argos – a rock and roll kid who clearly couldn't be more thrilled...[check it out here]

    **NEW EPISODE** The Green Room w/ Mando Diao! - Honing in on a sound that unites pop, mod, soul, R&B, and Brit-pop elements, Sweden 's Mando Diao brought a slice of European cool stateside for one of this past spring's most exciting tours. For our fourth installment of the Green Room, Baeble's cameras went back stage, onstage, and out in the crowd to catch every glimpse of the band's performance at The Bowery Ballroom. [check it out here]

    Baeble Lounge - Tons of random music videos of up and coming artists from Aeroplane Pageant, Bobby Con, Faber Drive, Mouse On Mars, The Zincs and many more! [check it out here]



    Album Reviews: Wilco "Sky Blue Sky" - Whenever a troubled, brave faced musician hustles enough courage to get better, there is always the inevitability that it may come at the expense of what they do best . Most music fans are probably not afraid to admit that they sometimes dabble in the narcissistic, preferring the art over the artist.[read more]




    Album Reviews: Gore Gore Girls "Get the Gore" - Sometimes, but not always, the best way to figure out the vibe or mood of an album is by looking at the cover. The cover of Get The Gore by the Gore Gore Girls (named after the 1972 film directed by Herschell Gordon Lewis) features a white background with a guitar next to the legs of a woman (presumably lead vocalist and guitarist Amy Gore) in a pair of black high-heel boots. The picture could not have said it any better. Get The Gore is a record that comes right out of the box, never letting up its genuine discharge of welcomed noise. [read more]




    Baebleheads WANTED! - Congrats to Heather Gertis from Perry, NY. She's been a great Baeblehead and has the iPod Nano prize to proove it!!

    For those of you looking for something to do on summer vacation or just bored at work, come join the Baeblehead gang! We want people who believe in the power of live concerts and want to help get the word out about bands we film. Win prizes and real work experience that you can put on your resume.[read more]


  • New Arcade Fire dates are generally a big deal...especially considering ticket seekers general need to prepare for the sale by exercising either their ability to refresh their browser or hit redial at implausible speeds. So get ready Denver! Get set Hollywood! The Arcade Fire is revealing the first few dates of the latest leg of their North American Tour…and you’re getting the call. The Arcade Fire will play Red Rocks on Sept. 17th and the Hollywood Bowl on Sept. 20th. LCD Soundsystem will support.

    The tour is scheduled to run through early October. More dates will be revealed shortly.

    Better yet, in order to meet ticket demands, and to sidestep the disgusting service fees Ticketmaster and Ticketweb rip from concertgoers, the band will make a limited number of tickets available on their website. Ticket pre-sales will start on Wednesday, June 20 at 10am Mountain and end Friday, June 22 at 3PM Mountain. For tickets, head HERE. - David Pitz


  • Sometimes it seems everyone in NYC has a little black book choc full of all the secrets they have gathered for getting by in the city. Whether its’ finding a place to live, grubbing at cheap, interesting restaurants, or being entertained on a dime, knowing the city’s tics and off the beaten path events are necessary for comfy, urban survival.

    So, when we opened up ours recently, we noticed an event we had to tip. Tonight is the final evening of the Rosewood Thieves month long residency at Pianos. One of the city’s best kept secrets – though they won’t remain so for too much longer – the show is a mere eight bucks, and also features openers Julie Moon, and Cricket Spin.

    As we caught the band’s show with our cameras last week, I’d say we here at Baeble are perfectly qualified to endorse them. Stirring the pot so that the best pieces of Springsteen, The Replacements, Wilco, and The Strokes boil to the top, the Rosewood Thieves capture pieces of down and dirty Lower East Side rock, sun splashed Southern California vibes, and the country tinged song craft of America’s heartland in their brand of plain spoken, indie rock. - David Pitz

    The Rosewood Thieves play Pianos Tonight @ 10:30PM.

    Listen to the band HERE.


    Photos - Stefanie Giglio
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